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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond at Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He later founded the innovative techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of ill-health.

"I managed to damage myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and cracked about multiple ribs and fractured my arm."

After catching a lung infection and suffering from sepsis, he was placed in an induced coma and remained in the hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense aspect of my life and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with adoptive parents his caregivers, who altered his given name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a unique creative synergy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk perform on BBC science show Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, selling millions of copies worldwide. Alongside successful tracks by other artists, contemporary bands and electronic acts, it helped paved the path for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having money and travelling, which makes me sound like a Miss World," Ball recently shared with a music magazine.

But it also presented challenges. "Newfound wealth allowed we could afford newfound drugs to relieve the monotony" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to produce a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

Following a further hiatus, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on 30 September, 2018.

However, they stayed together, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while making their initial records.

He added that his period in hospital had shaped the band's sound.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"The new songs are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the times we had in the 1980s."

The last versions were completed only days before Ball passed away. It is scheduled for release in the spring of 2026.

By

Deborah Benton

A tech journalist with over a decade of experience covering UK innovation and digital trends.

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